亡命之徒 Birthright Outlaw

A daughter kidnapped. A hidden past revealed. A seemingly futile chance at rescue. Now, Rev. Jeremiah Jacobs and his wife Martha must overcome the lies of the past to find their Hope for the future.

倒计时

该片讲述了拳击金牌得主出身的令人头疼的体育老师“时宪”(陈善圭 饰)和有拳击天分的叛逆学生“尹雨”(成裕斌饰)，他们向着不公平的世界发出痛快一击的故事。

永远的831

社会在“前所未有的大灾难”的冲击下持续动荡不安。住在东京的青年浅野铃四郎有一个难以启齿的秘密，就是他可以暂停时间的流逝，拥有停止时间的力量。直到有一天，浅野铃四郎遇到了拥有同样超能力的少女桥本荠，并在得知桥本荠的能力被利用于犯罪行为后，冲动地帮助了身陷囹圄的她……该动画为WOWOW开台30周年纪念作品。

分手，不分手

詹妮弗一直过着无拘无束的自在生活，没想到却在阴差阳错之间陷入了一场姐弟恋之中。年龄的鸿沟让这段感情似乎注定不会有结果，但真正破坏两人之间的联结的，却是他们对彼此的不信任和对自己的不自信。眼看着事情就要向她最不愿意看到的方向发展，詹妮弗选择了主动离开。 　　小扣子是一个在古城里卖花生糕的普通女孩，却在机缘巧合之下意外爆红。小扣子一直真诚的爱着她的男友，但男友给她的却只有欺骗和背叛。小掌柜一直默默的看着小扣子和男友的风风雨雨，他选择将自己对小扣子的喜欢深深的埋藏在心底，只是在小扣子最需要帮助的时刻向她伸出援手。

陀枪师姐1粤语

陈三元(滕丽名饰)自小就受叔叔小生（欧阳震华饰）影响，大学毕业后便当上了警察，是个陀枪女警。表现出色调到了“扫黄组”，但上司程峰（魏骏杰饰）一直对她有性别歧视，好胜的她一直争取好表现。期间她认识了当文职的朱素娥（关咏荷饰），人称娥姐。娥姐原本有一个幸福的家庭，后来离婚了不得不也做一个陀枪女警。接着娥姐也认识了小生，与小生成为了一对斗气冤家，后来竟然变成了情侣。而三元与程峰经过一段相处后互相了解了许多，成为了好朋友。令三元想不到的是自己竟然喜欢上了程峰……

海滨别墅

艾米丽和兰德尔是一对年轻情侣，他们假期逃到自家的海滩别墅重新寻找感觉。期间兰德尔父亲的一对旧友夫妇造访，他们四人也相处融洽非常投缘。但海滩别墅周围的环境却变得越来越奇怪，海滩的景色和水中的生物也渐渐变得怪异，他们像是被感染一般恍惚不适，而艾米丽则要尽力在一切太晚之前弄清楚这到底是怎么回事。。。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

9月8日 2024欧洲杯预选赛 波兰VS法罗群岛

双面太子妃

女大学生沈微微因游戏名相似错登游戏大佬孙晚晚的账号，此时孙晚晚的游戏正在关键时期，沈微微被卡在游戏bug中不得下线，还必须做出关键选择，同时引起了太子楚裕和宁王楚祥的怀疑，经过在游戏中寻找线索，沈微微发现账号原主孙晚晚身为祁裕的太子妃，只要等楚裕登上皇位她就能成为皇后完成任务，但孙晚晚爱上宁王楚祥，计划和他一起推翻现在的太子楚裕，两对有情人经历各种考验能否终成眷属呢？

22-23赛季NBA季前赛 太阳VS湖人

10月6日 22-23赛季NBA季前赛 太阳VS湖人

天狼星行动

1941年，古老而磨难重重的中国大地上，震惊世界的百团大战刚刚落下帷幕，丧心病狂的侵略者便迅速掀起大规模扫荡。一时间风声鹤唳，中华民族到了生死存亡的关键时刻。为应对敌人冷血无情的攻势，我方高层决定开展“天狼星计划”，八路军独立团团长李银龙（李成儒 饰）任主要负责人。民族大义当前，无论是共产党还是国民党抑或是社会各阶层身怀绝技和一腔热血的人士均被招贤吸纳进来：国民党行动队队长廖武（刘恩佑 饰）、独立团女战士陈秋雪（周知 饰）和王春梅（朱子岩 饰）、江湖女侠乌青青（杨婧琳 饰）、青龙帮女帮主李红菱（冀贞贞 饰）、物理学高材生程青红（马妍婷 饰）等人相继加入，与侵华日军驻天津司令部将军德川幸之助（孙亦沐 饰）为首的侵略者展开艰苦卓绝的战争……

好女孩的反抗

《好女孩的反抗》改编自同名纪实文学，讲述70年代几位《每周新闻》(News of the Week)的女雇员挑战行业惯例，与公司男员工进行斗争，最终成为媒体行业第一拨发起性别歧视诉讼女性。这部剧集是一部类似《广告狂人》这样的时代剧。本剧主演包括《丧心病探》(Backstrom)女主角吉纳维芙·安吉尔森(Genevieve Angelson)、《完美音调》(Pitch Perfect)女星安娜·坎普(Anna Camp)、《依然爱丽丝》(Still Alice)女星艾琳·德克(Erin Darke)等等。