在虫族突袭布宜诺斯艾利斯之后,联邦军队发动反攻,在坦戈约里击溃虫族,并在P行星虏获虫族首领。在此之后,联邦军队乘胜追击,派大军杀向虫族隔离区。残酷的战斗没有止境,机动部队第6战队遭到虫族围攻,苦盼救援部队不得,眼看灭亡在即。关键时刻,第6战队首领夏普德将军(埃德·劳特 Ed Lauter 饰)与几名士兵吸引虫族,命令霍顿(Jason-Shane Scott 饰)、珊蒂余下的战士前往最近的祖鲁角哨站避难。此前,该哨站已经废止,所有人员全部死亡,只有一名中尉幸存。在这个隔绝之地,战士们进行最后的抵抗…… 本片为《星河舰队》的第一部续集,拍摄完毕后直接发行DVD。
荒井和彦是一名普通的日本高中生。白天的他软弱自卑,不敢反抗校园霸凌,也不敢表白爱情。而每当夜晚来临,他却改头换面,在自己营造的虚拟世界里如上帝般无所不能,不但把欺负他的人打得落花流水,还有机会跟暗恋对象亲密接触。当他的秘密意外被暗恋对象发现,他终于鼓起勇气把深埋内心的偏执的爱化作行动。在光怪陆离难辨真假不停变换的世界里,他唯一想要留住的,还是那个愿意为他挺身而出的女孩。
故事讲述在阿尔卑斯山滑雪佳地,一个家庭在就餐时遇到了雪崩,丈夫只顾自己逃命不救妻儿,引发了家庭危机。
该剧根据墨宝非宝的同名小说改编。讲述了投资总监归晓十年后重逢排爆特警路炎晨,两人破镜重圆,找回忠诚和信仰的归途之路的故事。 归晓(谭松韵 饰)与路炎晨(井柏然 饰)是彼此的初恋,大学毕业路炎晨远赴他乡成为一名特警,同时归晓家庭遭遇变故,二人的爱情无疾而终。十年后二人归晓和路炎晨重逢,发现压抑不住对彼此的思念,重新靠近了对方。但父母给路炎晨安排婚约的消息令归晓心神不宁,路炎晨果断做出了选择,归晓明白自始至终他心中只有自己,两人再续前缘,登记结婚。婚后,路炎晨在一次任务中受伤陷入昏迷。怀孕的归晓赶去路炎晨身边,在路炎晨守护了十年的边疆城市生下了女儿。一家三口平安团聚,生活美满幸福。
君原姬乃(深川芹亚 配音)是一个个性十分温柔和蔼的平凡高中女孩,然而,和其他女高中生不一样的是,姬乃是拥有一半人类身体和一半马的身体的半人马族。虽然过着和普通人类一样的生活,但实际上,姬乃对自己独特而又庞大的体型十分的在意和苦恼。
《大乱斗之少年觉醒》讲述的是瘦弱少年林默(赵弈钦饰)一直爱慕学校剑道部美女部长罗小丸(叶子淇 饰)却一直不敢表白,因为性格懦弱饱受校霸的欺负,拥有神秘力量的他在天才萝莉小野(赵蕴卓 饰)的帮助下努力修炼自己,一步步变强大,为了守护罗小丸和小野同黑暗势力斗争的故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
一个拥有五个弟弟的非著名黄牛,为了多挣点让几个弟弟好好学习,每天早出晚归排队购票,自己住在一个半地下室里,一个拥有音乐梦想的女孩,由于母亲的不理解,自己跑到城市里靠直播支撑梦想,黄牛早睡早起,主播晚睡晚起,由于二人的时间的差异,闹出了一系列荒唐而又温情的笑话,好笑之余却有着小小的感动,在真实的生活与无限的思维中,努力寻找着平衡,做到有质感,有意思,讲述这些小人物在大城市的无奈生活,与他们精彩的人生。
明朝,孝宗弘治年间,京城城郊的一座大寺院“迦叶寺”以严谨著称,但有一人却机灵古怪,以打破寺规为乐,他就是不懂(张卫健 饰)。不懂的存在给整个寺院带来生气,也因一次偶然的机会,帮助孝宗皇帝度过了难关。对不懂颇为信任的孝宗皇帝让不懂帮其去江南寻找一名会种极品茶花的人。这关联着孝宗皇帝的一段往事和其骨肉。阴差阳错的,不懂成为了观自在书屋的老师,授课的同时,边调查孝宗皇帝交代的事情。起初只想赶快回迦叶寺的不懂也在和学生们的相处中,渐渐爱上了教书的工作,也结识了各具特色的伙伴。而另一边,朝廷却不太平,权利真斗的背后,许多真相开始浮出水面,并且与不懂有关
USA台将拍摄剧集《悬案》(Unsolved),讲述说唱史两位传奇人物2Pac和The Notorious B.I.G.的谋杀案。近日饰演两人的演员都选出,分别是《冲出康普顿》中就演了2Pac的Marcc Rose和新人Wavyy Jonez。2Pac和The Notorious B.I.G.是90年代美国斗得不可开交的东西岸说唱界的代表人物,先后在1996和97年被枪杀,至今都仍是悬案。该剧就将讲述这前后的事了,由大热剧集《美国犯罪故事:公诉辛普森》的Anthony Hemingway执导并担任制作人,乔什·杜哈明(《变形金刚》)饰演调查该案件的洛杉矶警署警探Greg Kading,此人之后也将他的查案所见写成了书,吉米·辛普森饰另一名警探Russell Poole。
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