古畑任三郎 暂时的分离

可怜的今泉慎太郎（西村雅彦饰），由于饱受精神和肉体的折磨，最终令自律神经失调症进一步加重。为了治疗病症，他报名拜入前卫花道家二叶凤翠（山口智子饰）的门下学习插花和舞蹈。凤翠原是花道家二叶凤水（長内美那子饰）的得意门生，后因自立门户致令师徒失和。凤翠在花道的基础上融合了舞蹈的表现形式，引起了广泛的关注，她准备举行一次表演，而一向表现糟糕的今泉竟然被选中参加演出。发布会期间，凤水前来道贺，师徒的关系似乎出现缓和的态势，然而凤翠却试图趁机杀死这个对自己有着颇多微词的师父。适逢古畑任三郎（田村正和饰）前来观看今泉的表演，他成为了这起杀人案件的见证者……本片为《古畑任三郎》系列最受好评的SP，收视率34.4%。

翼手龙

土耳其死火山口内，神秘的史前怪兽正悄然孵化。 一群美国探险队来到这个神秘的小岛。与此同时，为了追踪跨国贩毒分子，伯根上尉率领着一支特种部队也来到火山夫附近。很快，令人惊悚的谜底被揭开了——他们竟然遭遇了数量庞大的史前侏罗纪恶龙的攻击，这些巨大而凶猛的食肉动物，双翼展开足有40英尺长，仿佛饥饿了几千年似的，从空中俯冲下来撕咬人的身体。复活的恶龙已经非常强大，任由它们繁殖壮大的话，人类将面临灭顶之灾，冒着九死一生的危险，他们决定杀出一条血路直捣恶龙的洞穴，一场激烈震撼的人龙决战展开了……

劫数难逃

片中罪犯是一位小说 家，因为杀人后的自责 心理开始将自己发生的 罪孽转嫁到别人身上。 以致于分不清小说与现 实，再次犯罪。这种虚 幻与现实的穿插使得影 片的惊悚气氛直线上 升。

金山上的树叶

来玩游戏吧

奥莉薇（长江里加配音）是学校里新来的转校生，金发碧眼的她生得一副标准的外国人面孔，但实际上，无论是出生和成长都在日本境内的她，根本就一丁点英语都不会说。野村香纯（小原好美配音）拥有着过人的智商，在几乎全部的学科上都是头筹的位置，但偏偏对英语这门科目不感冒，不只是不感冒，香纯的英语成绩只能用惨不忍睹来形容。奥莉薇的出现让香纯看到了希望，她打算拜托对方帮自己补习英语。本田华子（木野日菜配音）看上去有些呆呆的，常常会做出一些傻事，但成绩却意外的不错，对现充生活充满了憧憬的她，却同奥莉薇和香纯一起，被拉入了游戏的世界之中。

俄勒冈人

　　《俄勒冈人》讲述的是有一个地方，这个地方天格外的宽、森林非常茂密，十分奇怪。走在森林里，你可能会在万千种的树木中迷路，你可能会碰到问你问题的卡车司机，或者是碰到拥有强大力量的老妇人。你甚至可以直接造一个皮毛制品当朋友。不过唯一重要的是你一定要保持安静。花一些时间和来自俄勒冈州的女人在一起，这个女人迷路了，甚至离她自己原本的轨迹越来越远，而现在她有机会去经历在西北地方的所有奇怪的事情，不论她喜欢与否。。。

5月14日 22-23赛季意甲第35轮 斯佩齐亚VSAC米兰

火线追凶之无罪辩护

晨曦初现的上海滩，放浪形骸的工部局英国要员威尔逊在一间酒吧被人枪杀。刚好晨跑路过此地的法租界巡捕房探长钟朗（钟汉良 饰）与凶手穿着打扮一模一样，因此被目击证人指认为凶手。公共租界巡捕房巡长刘天德（尹天照 饰）接到报案后赶到现场，从钟朗身上搜出威尔逊的钱，钟朗有口难辩。于胜男（齐芳 饰）和韩非（释小龙 饰）焦急万分，无奈威尔逊身居要职，英国方面极为震怒，而钟朗和曾作为他师父的刘天德又于数年前积下宿怨，导致钟朗的处境极为不利。胜男和韩非被迫展开独立调查，与此同时新的凶杀案发生，使得刘天德对钟朗一案也产生疑惑。　　审判在即，钟朗面临前所未有的大危机……

闪闪的红星1974

故事发生在红军长征离开后的江西苏区。少年潘冬子（祝新运 饰）的父亲响应号召，参加红军抗击敌军去了，只剩下母亲与东子相依为命。母亲也是抗敌的积极分子，从小耳濡目染的冬子虽然只有11岁，也立下了决心长大参加红军对抗日军。　　一天，反动地主胡汗三前来捉拿东子的母亲，眼看形势危急，冬子妈决定留下来掩护其他群众撤退。在连扔两枚手榴弹砸死多名敌人后，冬子妈亦英勇就义。目睹了妈妈被敌人杀害的惨况，冬子决心用自己的力量为母亲报仇。　　冬子开始用自己的机智与勇敢与敌人周旋，暗中帮当地的游击队送盐送信。通与敌人的斗争，冬子渐渐成长，替母亲报仇的时刻也终于来到。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

非处方青春

《非处方青春》是一部以当代医学院大学生为背景的青春剧，展现中国大学生积极向上的精神面貌，表现一群青年们怎样一步步从稚气未脱的孩子成长为承担起救死扶伤的白衣战士。

坚不可摧2018

本片基于真实历史事件改编，讲述了第二次世界大战苏德战争期间KB-1坦克车组立下罕有卓越战功的故事。如果没有战争，谢缅·科诺瓦洛夫也许一辈子只是一名默默无名的基层军官，等着退役然后回到家乡平静生活。但在这场空前的大战中，他指挥的KB-1坦克车组在敌强我弱的悬殊对比下，消灭德军16辆坦克，2 辆装甲车和8辆汽车，创造了战争史上以少胜多的又一奇迹。这个故事并非只是英雄的宣传画，更描绘了一群快乐、满身伤痕且性格迥异的年轻人在残酷战争中鲜活的形象。