真人秀

影片改编自真实的故事，导演马提欧·加洛尼将其描述成一个“简单的，工人阶级的故事”。 　　卢西诺是一个那不勒斯的渔民，他的全部收入就是和自己的太太一起搞点小骗局的“赃款”。其实，像是卢西诺这么一个具有娱乐精神和好玩的人，从来不会放弃在顾客和亲戚朋友面前表演的机会。时间一长，他的家人就劝他是不是能去更大的地方碰一碰运气。此时意大利全民都在为一个叫做《big brother》的真人秀节目痴狂，参加该节目的人需要将自己的生活全部展示在观众面前，谁坚持到最后，将有可能拿到大奖，还会一举成名。 　　就这样，卢西诺义无反顾的开始了自己的追梦之旅。在追逐这个梦想的过程中，卢西诺得到了无数的赞誉，成为万众瞩目的明星。只是他觉得周边的一切都变了，原本亲密无间的家人和朋友日渐陌生。在理想与现实之间，卢西诺将如何抉择？

约瑟传说：梦幻国王

　　约瑟生长在迦南的一个农夫家庭，拥有着与常人不一样的能力，因此经常被同父异母的兄弟们排斥。有一次，约瑟因为一个小小误会被兄长们出卖，被埃及人投入监狱，经过自己的努力，化解了一切误会，还做了埃及的大内总管，只在法老王之下。多年后，约瑟重遇了处于困苦中的兄弟们，原谅了他们之前所做的事！

红颜知己

弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。

愤怒的小鸟：夏日疯狂第三季

内详

一千灵异夜之贴身恶梦粤语

由谭朗昌导演，《一千灵异夜》不是迷信传说，而是一系列希区柯克式惊栗迷离悬疑单元剧，包括《血咒》、《凶穴》、《凶宅》、《血追忆》、《死连环》、《厉鬼焚情》、《贴身噩梦》、《鬼拳师》、《迷宫杀手》、《护花使者》、《灵魂实验》、《孽债危情》、《转世邪灵》、《孽缘十日》、《血的疑惑》。

亿万富犬

一只名叫“甘瑟”的狗狗竟然拥有信托基金，而比这更奇怪的是他那古怪的管家也过着奢华的生活，身边还有一群邪教般的随从。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

就这样…第二季

Returning series regulars include Sarah Jessica Parker, Cynthia Nixon, Kristin Davis, Sara Ramírez, Sarita Choudhury, Nicole Ari Parker, Karen Pittman, Mario Cantone, David Eigenberg, Evan Handler, Christopher Jackson, Niall Cunningham, Cathy Ang and Alexa Swinton. 　　The series is executive produced by Michael Patrick King, John Melfi, Julie Rottenberg, Elisa Zuritsky, Sarah Jess...

年轻的女演员

男主角是一个暗恋着一位女演员很久的痴汉，他频繁的出现在女演员身边，但是女演员不为他所动，他每天只能不断幻想和女演员的性事，直到女演员找了别的男人并发生关系后，男主闯进了他们的家中，并绑架了女演员和她的男人，女演员的男人非常担心，被吓得穿着内裤逃跑，而女演员对这个闯入家中的“绑匪”，却有了不少兴趣....

午夜少女大战

过着无精打采日子的平凡大学生的私，一边被在“捉迷藏社团”中遇到的冷酷且聪明的前辈所吸引，一边与瞬间掌握人心的神秘男子黑服实现命运般的相遇。无聊的日子一变，被卷入了名为“真夜中乙女战争”的东京破坏计画中……

灵契

漫画屋小老板杨敬华在偶遇端木熙与红衣女鬼斗法时意外身亡，被迫成为阳冥司端木熙的影灵二人彼此看不惯，却被灵契契约紧紧拴在一起，啼笑皆非地相处着。多宝街发生诡异的连续死亡事件，一切线索都显示与红衣女鬼有关。在收服女鬼的过程中，杨敬华触碰落月剑，心神失控，刺伤了端木熙。杨敬华得知自己的死并非单纯的意外，而与端木熙有着直接关系。杨敬华怒斩手上的锁灵戒，与端木熙一刀两断。整个事件背后的阴谋逐渐展开，真正的罪魁祸首端木落月企图收集五毒之人的灵魂，用来打开魔界的大门，令世界生灵涂炭。决战的时刻，杨敬华才明白过来，原来端木落月就封印在自己的灵魂中，杨敬华抱着牺牲的决心将落月剑刺进了自己的魂体……

封门村1080P

风门村，由于改道修路致村子废置，变为一个荒村。工程师胡东海和助理苏牧出差回来，经过一荒坡时意外爆胎，无奈之下两人到一个荒村封门村中投宿。不料，之后却遭遇了一系列恐怖事件，同时胡东海又意外得知，这个村子之所以会成为荒村源于一出车祸悲剧，而这个悲剧竟然与自己有关。随后，胡东海有惊无险的逃走。晚上，胡东海和女友睡觉时被噩梦吓醒，梦见女儿被老宅子里的人抱走，胡东海发现女儿真的不见了，打电话叫上好友刘威鹏和自己重返荒村。