内详
本片由孙仲导演,倪匡编剧。故事描述,百毒派掌門人左龙,锐意逐一击破武林各正派,以实现称霸江湖的野心──先诬陷仙霞派余宝,指其滥杀无辜,再邀武林大豪花四姑(王萊)主持公道,企图获得打击仙霞派的借口,更请武林高手黑摩勒(姜大卫)及万应泰(宗华)助阵。黑不愿助左,往仙霞派告密,女侠石明珠(井莉)遂访花家庄探虛实,期间黑愿负护花之责,乃追求石也,但恋石者尚有万......
成长于英国南部田园风光中的玛格丽特(丹妮拉·丹拜-阿什DanielaDenby-Ashe饰)因为作为牧师的父亲辞了工作,一家人搬到了全然陌生的北方小镇米尔顿。不同于南方的温暖舒适,处于工业革命时期的米尔顿阴冷又脏乱。路上不再是芳香花草,取而代之的是粗鲁的工人,棉絮飞舞的纺织车间。除了新环境的不适应,还有来自纺织厂的厂主——年轻的实业家约翰桑顿(理查德·阿米蒂奇RichardArmitage饰)的盛气凌人及对工人的苛刻,这让玛格丽特对桑顿的第一印象极其糟糕。随着米尔顿生活的加深,玛格丽特渐渐认识到工人粗鲁暴脾气背后的温柔和疾苦,坚定的站在他们一边。和其立场相反的雇主桑顿则对玛格丽特一见钟情,但不善表达的他似乎在无形中把玛格丽特越推越远。二人如同南方与北方,截然相反但又紧密相连……
狱中大哥——侏儒罪犯凯尔(马龙•韦恩斯 Marlon Wayans 饰)重获自由,小兄弟波西赶来接他,并带来一项价值十万美元的任务:盗窃女王钻石。波西与凯尔联手将钻石盗走,在撤退时不慎露出马脚,手忙脚乱的凯尔在超市里将钻石扔入了一对夫妻的提包。这对夫妻——丈夫戴洛(肖恩•韦恩斯 Shawn Wayans 饰)非常希望妻子瓦妮莎(凯丽•华盛顿 Kerry Washington 饰)能够生一个孩子,但后者忙于工作无暇顾及婴儿,戴洛颇感失落之余还要忍受岳父的奚落,愈发盼子心切。这边厢,失去了钻石的凯尔和波西无法向雇主交差,想出了化妆成婴儿混入戴洛家偷回钻石的办法。扮成弃婴的凯尔成功进入了戴洛家,但是以一个婴儿的身份盗出钻石,并不是件容易的事情……
一名当代电影人与另一个来自19世纪的法国外交官(Sergei Dontsov 饰)发现自己置身于圣彼得堡的一座古老的宫殿中,周围的人完全看不到他们。两人结伴在宫殿中徘徊,见证了暴怒的彼得大帝用鞭子抽打他的将军;凯瑟琳女皇的私人生活;革命前夕末代沙皇一家最后的晚餐以及1913年最后一场辉煌盛大的宫廷舞会。短短100分钟内,亲身经历了俄国200多年的历史…… 本片荣获2004年阿根廷影展最佳外语片奖、2003年德国相机奖剧情片荣誉奖、2003年西班牙奇幻电影奖最佳男主角(Sergei Dontsov),最佳剧本和最佳导演、2004年尼卡奖最佳美术指导、2003年旧金山影评人协会荣誉奖、2002年多伦多国际电影节视觉奖。
明朝年间,才高八斗的唐伯虎(陈豪饰)看透官场黑暗,刻意逃避任何官职,一心留在乡镇甘当风流才子。唐伯虎一生心愿即是绘制一幅“九美图”,怎奈独欠代表明朝的绝色美女一人。直到唐伯虎在苏州华太师府邂逅侍婢秋香(胡杏儿饰),他便认定秋香就是梦里寻她千百度的“最后一美”。唐伯虎被秋香的正义感深深吸引,更为秋香对其三笑而神魂颠倒,遂不惜混入华府做起了家丁。秋香本以为唐伯虎是个不学无术之人,在多次得到唐伯虎机智解救后,顿生好感。然而此时,唐伯虎却牵扯入一场宫廷权力斗争之中。由香港电视广播有限公司推出的20集古装电视剧《秋香怒点唐伯虎》,是2009年节目巡礼剧集及2009无线节目精选第二季剧集之一。
邀请一对(或多个)有矛盾的当事人进入演播室,主持人和人民调解员现场为当事人排忧解难,通过节目告诉观众面对纠纷的智慧和解决矛盾的艺术,将真实事件和综艺手段完美交融,塑造全新节目模式。节目中将大力体现人文关怀和心理疏导,倡导文明积极、健康向上的社会风尚。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
影片展现未来世界中,由于自然规律暴露出的致命缺陷,整个世界陷入混乱中,或许宇宙的毁灭就在眼前。波兰人约翰来到纽约与妻子、著名滑冰选手艾琳娜签署了离婚协议,这对青梅竹马的恋人由于人生方向的不同无法再共同生活。但在这充满绝望的崩溃前夜,艾琳娜发现其实一切都不重要,只有爱是最值得去珍惜并为之奋斗的。于是她决定与约翰一起重建他们之间的关系
8月21日 22-23赛季西甲第2轮 毕尔巴鄂VS瓦伦西亚
故事发生在十年前,姜冲(吕颂贤 饰)在一次食神大赛中意外缺席,自此隐姓埋名成为了一名潜水教练。宽少对姜冲这一行为十分气愤,一直对姜冲怀恨在心。十年后宽少(邵传勇 饰)因姜冲的离去,面临店倒关门的窘境。宽少在自己的店中被神秘人绑到上海,在教堂中意外地遇到了好兄弟姜冲。宽少想到当年姜冲的临阵脱逃,正准备对姜冲剑拔弩张之时,神秘人现身,正是他们的大哥波哥(吴启华 饰),气氛这才得以缓和。三人一见如故,忆往昔峥嵘。波哥为了找回当时三人的兄弟情深,于是出资开了一家素食火锅店,便悄悄离开。与此同时马一刀在一次“夜袭火锅店”时,不小心打碎了镇店之宝。为了作为赔偿,马一刀被迫签下了卖身契。本故事围绕着宽少,姜冲,马一刀花愿四人展开…
Channel 4预订了Stephen Butchard编剧的六集一小时惊悚剧《Baghdad Central》。故事根据Elliott Colla的小说改编,背景是2003年萨达姆在巴格达倒台后,整个城市区域控制在联盟军的控制中。 在一片混乱、罪恶和偏执中,一名伊拉克前警察Muhsin al-Khafaji失去了他的家、他的妻子和他的职业生涯,还要时刻在混乱中保全自己和生病的女儿的安全。他绝望的姐夫找到他让他帮助寻找失踪的侄女,Khafaji本能的家人的爱和责任迫使他接受了这个请求。但他很快发现,自己在侄女的大学或她原来说要在那儿当翻译的的绿区询问她的下落时,并不受到欢迎。Khafaji和他的女儿Mrouj很快意识到这并不是一起简单的失踪案
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