2023-11-30 NBA常规赛 湖人VS活塞

战无双

少女聂依依（蒋璐霞 饰）本是一名武术教练，由于父亲意外身亡导致她心灰意懒，离开了武术队。后经由青梅竹马的好友钟天（李灿琛 饰）引见，聂依依凭借出色的身手成为香港富商贺先生（张兆辉 饰）之私人保镖。然而好景不长，不久贺先生夫妻二人即被一群身份不明的高手掳走，聂依依苦战不敌，自此开始与钟天追寻贺先生的下落。不料她很快被莫名卷入了一系列地下格斗，侥幸脱逃的贺先生带来了事情的原委：原来贺先生的一位生意伙伴是网络赌命集团的幕后黑手，贺先生因拒绝了对方的合作而遭到劫持。聂依依出色的表现引起赌命集团重视，为了救出被再次掳走的贺先生，聂依依只有继续战斗下去……而事情的真相，远没有想象中简单。

幕后杀手国语

　　王振邦是个外国长大的中英混血儿，任杂志社记者兼小说家。他往深圳度假期间，需顺道接收已荒废多年的祖屋。他在探望舅父一家时，并和她表妹周安琪再次见面，但琪已是位瞎子。她在十多年前，遇上一场火灾，导致双目失明。琪带著邦看祖屋。竟发觉所谓祖屋祗不过是一座废置了的楼宇。邦甚感奇怪。追问琪为何祖屋变成这模样，琪道出当年祖屋发生大火，导致结构出现问题，所以无法再盖建，祗变成这模样。而这里亦是使她变成瞎子的地方，邦心感不安。当二人步进之际，琪显然对这祖屋有种神秘的感觉。虽然她看不见，但总有奇怪影像片断出现眼前，更有声音在自已耳边说话……到底祖屋背后藏有什么为人所不知的故事？他们会遇到什么不可思议的经历呢？

小情书

宁静的小城，纯真的岁月，全城高考的紧张气氛凝聚的高中，由一场大胆的表白掀起了全校传递情书的风潮，一封知名不具的仰慕信展开了一个故事……

废柴梦想家

9月25日，由芒果娱乐、天浩盛世、爱奇艺文学联合出品的网络电影《废柴梦想家》在长沙举行了开机仪式。芒果娱乐副总裁吴雄杰，导演李翰东以及主演赵奕欢、朱信宗、冯青等主创悉数出席。该片力求打造一部工作狂人与理想主义者在鸡飞狗跳的创业路上发展成情侣的励志爱情喜剧。赵奕欢此次一改校花形象，蜕变年轻创业女性。她在电影《废柴梦想家》中饰演的冯佳佳，是一名私人定制内衣设计师，外表废柴，却意外因为帮助身患乳腺癌的朋友重获自信设计的一套内衣，久违获得了自我价值的肯定。于是她开设了一家“Self”私人定制内衣店，立志通过这条奇特的路拯救万千少女的自信，“让全人类发现自己的美”。从“宅男女神”到“健身狂人”，从“美貌校花”到“特工保镖”，赵奕欢在不同角色中挑战自如，一次又一次突破自我，参演过众多影视剧的她，不仅颜值与演技备受肯定，更一度被称为网剧领军人、流量与质量担当，为影片保驾护航。《废柴梦想家》是改编自爱奇艺文学“云腾计划”的作品，拥有超高热度和大量粉丝，此次电影改编，无疑让粉丝们充满期待。影片开机后将投入紧张的拍摄。一场美好的创业爱情故事即将上演。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

骗子 Il

奥古斯特带领的三个骗子化装成传教士到处行骗，屡屡得手。一次他在街头偶遇自己天真烂漫的女儿，心里不禁有所顿悟，但却被人当场认出是骗子，并在女儿面前给人逮送到警局。出狱后的奥古斯特重操旧业，但在为筹集女儿学费的一次行骗中，他想独吞财物而被同伙痛殴，最终死在山崖边。

巴哈旺大饭店

巴哈旺大饭店(Mukti Bhawan)位于印度圣城瓦拉纳西，为一些临终之人提供住宿，很多人不远万里而来，他们相信死后尸体在恒河边火化，随恒河而去，使他们更容易得到灵魂的解脱。mukti在印地语里有解脱救赎的意思。

夜魅之醉宿

来自香港的美艳广告策划总监乔夏，突遭男友劈腿，又遇工作危机为解决工作问题协闺蜜夜赴酒吧，先是被拿走公司重要资料的前同事灌酒，后遭遇高富帅夜店高手迷惑，过程中又遇各方离奇人物…一夜酒醒，乔夏竟在一个陌生男人的卧室里，还只穿着情趣内衣。此时，门外传来两个男人的声音……更糟糕的是，公司约定的重要提案时间已过，而自己昨晚被捡尸的视频被人传上了网络，闺蜜亦不知所踪…影片利用多线索叙事手法，聚焦当下时尚女性婚姻选择以及爱情观思考。看似有缘的一次相遇，转变成一段令人捧腹的爱情疯狂喜剧。

决不饶恕2016

故事设定在内地重要城市宁远，一次高架桥的意外坍塌将当地官场撕开一道口子。省纪委专案组入驻，建委主任自杀，举报人遭遇车祸身亡，大学校长、银行董事长、公安局局长先后被立案调查……随着纪委办案人员的抽丝剥茧，真相逐渐被揭开，宁远市长这一“大老虎”最终伏法。

单词聚会歌曲

神怒之日