真爱不说谎

在这档真人秀节目中，六对情侣要接受测瞳仪这种测谎仪的测试。说谎者的奖金会遭到扣减，彼此坦诚和信任者才能赢得丰厚的现金大奖

斗牛犬之女

Malgosia Bojke因罪入狱，男友Remigiusz Puchalski是一名摩托党小头目，在其女友入狱期间，Remake从摩托党小头目成为了逍遥法外的控制燃油黑手党的老大；Zuza因为男友是基佬，一怒加入警队，开始自己的警察生涯,期间与Remake关系暧昧...

体热

　　奈德•拉辛（威廉姆•赫特 William Hurt 饰）是一位油滑无能又好色的佛罗里达律师。在一场音乐会上，奈德邂逅了已婚名媛麦蒂•沃克（凯瑟琳•特纳 Kathleen Turner 饰）。二人的婚外恋情使奈德日益疯狂，他终于决定铲除麦蒂的丈夫，大亨埃德蒙•沃克（理查德•克莱纳 Richard Crenna 饰），帮麦蒂继承财产后远走高飞。命案发生后，奈德的好友，公诉律师皮特（泰德•丹森 Ted Danson 饰）和警探奥斯卡（J•A•普莱斯顿 J.A. Preston 饰）都反对奈德与麦蒂继续交往，同时不得不对埃德蒙•沃克之死展开调查。事态的发展越来越超出奈德的预料，他究竟能否信任麦蒂？                                                                    　　本片获金球奖年度最佳新星提名（凯瑟琳•特纳）和英国电影电视协会奖最佳新星提名（凯瑟琳•特纳）。

南北少林

北少林棍僧智明（李连杰 饰）为报父母之仇，日日苦练功夫，他天性纯良聪明，深得师父器重。这天，智明收下的一班顽童“徒弟”向他报信，声称退隐多年的赫索王爷再度出山摄政，智明听闻杀父仇人消息怒发冲冠，随即下山为赫索祝寿伺机行刺。与此同时，和智明一样与赫索有血海深仇的莆田南少林俗家弟子司马燕（黄秋燕 饰）亦北上刺杀赫索，南少林派出另一俗家弟子赵威（胡坚强 饰）暗中接应与保护司马燕。在赫索的寿诞庆典上，智明、司马燕与赵威等人联手行刺，却仍然功亏一篑，三人在重重围堵中逃出，而路上，智明发现司马燕居然是他指腹为婚的

绑架X计划

清晨，一手拎包一手拉拉杆箱的美女菁菁正在路边等出租，突然窜出来一个混混黄毛把菁菁的手提抱抓住就跑，菁菁刚追几步，屁股后面拉杆箱又被瘦猴抢走，并朝相反方向跑去。正当菁菁犹豫不决的时候，一名斯文人打扮的赵李德全骑着摩托来到菁菁面前，大喊姑娘要冷静赶紧打电话报警。菁菁感激地点了点头掏出苹果6S还没划开，被李德全一把夺过飞奔而去。

少年叶问之危机时刻

1917年，踌躇满志的少年叶问（赵文浩饰）初到香港求学，平静的校园生活却意外被打破。一桩惊天绑架案件在学校举行英文演讲赛的当天发生，全校同学都被挟持，一分钟一条人命。面对眼前的危机，叶问挺身而出，却意外发现绑匪是自己的师父（牟凤彬饰），而自己的好兄弟（李浩轩饰）竟然也成为绑匪的帮凶。面对眼前的一切，他该何去何从……一代宗师的成长第一战由此正式打响！

舞蹈风暴2 燃场版

《舞蹈风暴2 燃场版》为《舞蹈风暴 第二季》的会员衍生内容。聚焦顶级舞者的竞演舞台，展现高能热血的精彩瞬间，掀起2020最强舞蹈风暴。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

斯诺克 阿里·卡特5-2阿尔菲·戴维斯 20230728

疑云重重

文森特（罗伯特•德尼罗 Robert De Niro 饰）是一名经验丰富的警探，他凭借着冷静的思考个高超的智商破获了一起又一起疑难杂案，深受同僚和市民们的信任。在负责调查一宗重大案件时，文森特震惊的发现，自己一直在追捕的幕后黑手，竟然是自己的亲生儿子乔伊（詹姆斯•弗兰科 James Franco 饰），原来，早年间，文森特离开了妻子和儿子，因为父亲的缺席，乔伊心中充满了痛苦与愤怒。  如今，父子两人再见面时，已经是水火不容的情势了，他们必须站在法庭上对簿公堂。让文森特感到心痛是的，他知道乔伊正是因为自己才变成现在这个样子的。站在正义和亲情的十字路口上，乔伊不知该如何选择。

野菊之墓

15岁的政夫（佐久田修 饰）进城给生病的母亲买药，途中偶遇了表姐民子（山口百惠 饰），民子得知了姨妈阿菊的病情，主动请缨，要到政夫家里照料阿菊。就这样，两人以此为契机，交往变得密切起来，他们之间的关系也日渐亲密。时间久了，村里开始传起了有关两人的闲言碎语。

红纸鹤

影片主要讲述了一名空姐不堪忍受长期的家暴，在一个雷雨交加的深夜将丈夫残忍杀害后一心求死，最后在法律援助律师的帮助下重拾对生活的信心的故事。灯光幽暗一片狼藉的房间内，衣衫破烂不整、 嘴角红肿带血、头发凌乱、目光绝望的欧阳祉鹤光着脚拖着高尔夫球杆向客厅的沙发走去。祉鹤表情由冷变怒，举起高尔夫球杆伴着电闪雷鸣猛烈地砸向张子赢。桌子上装满纸鹤的玻璃瓶被打碎，玻璃飞溅，纸鹤散落一地，墙上祉鹤 身着空姐制服的写真照片，还有一家三口的合影照溅上了血迹，散落在地上的白色纸鹤被鲜血染红。 　　作为欧阳祉鹤的法律援助律师张彤到看守所了解情况，看到祉鹤已然放弃生念的状态，张彤感觉案件背后一定另有隐情。张彤心急如焚，迅速展开调查取证。张彤多次来到看守所，与欧阳祉鹤谈心，讲述自己的经历张彤鼓励祉鹤，为了儿子多多，必须坚强起来，不能放弃。多番努力后，祉鹤把张子赢吸毒及对自己长达两年...