她的城

精准定位"她"时代的都市女性话题剧,邀请国内一线30十女星加盟。金句频出,人设飒爽,美剧节奏、情节话题热点不断，谈婚姻、谈事业、谈关于轻熟龄女性的爱恨情仇。

镖行天下之天下镖局

王振威（周群达饰）的父亲王兆兴（姜大卫饰）曾经是名震江湖的镖师，如今已经归隐田园的他只想要过平静的生活。然而，王振威却并不赞同父亲的想法，心高气傲的他只想着能够成就一番大事业，因此同父亲之间屡次争吵。王振威孤身一人来到京城，开办了天下镖局，却因为初来乍到，而遭到了各路同行的刁难，更于无意之中得罪的千金大小姐沈飞燕（吴晓敏饰）。为了作弄王振威，沈飞燕将一个无足轻重的香囊交付给他，命他送往保定，就这样，王振威踏上了旅途。哪知道这一个小小的香囊竟然让王振威和沈飞燕惹上了杀身之祸，其中究竟隐藏了什么秘密呢？

安妮 第一季

Devastated by the loss of her fifteen year old son, Kevin, at the 1989 FA Cup semi-final between Liverpool and Nottingham Forest, Anne Williams fights for the truth about the tragedy. Standing along side other parents who lost children in the match and

迷失在珠穆朗玛

AteamofclimberssetouttofindIrvineandhisclimbingpartnerGeorgeMallorycamera.Ifthatcameracouldbefound,itwouldrewritehistory.

迷失的古铜簋

出租车司机刘菲是个热情、泼辣的女人。在市场经济转型期的社会中，她一门心思想着多挣钱，以摆脱穷苦的日子。一次偶然的机会她结识了广东来客区沛，两人联手做起了古玩生意。刘菲粗通古瓷，因而挣了一笔。在金钱的诱惑下，为了一尊古铜簋的买卖，刘菲不惜投入全部积蓄，求人举债。不料，区沛与卖主马元、买主齐志勾结做套，骗取刘菲的巨款后便渺无踪影。刘菲陷入绝境，面对债主的追逼，生活的窘迫，她典当了全部首饰细软仍无济于事。在走投无路的情况下，她找到了前夫韩亮。在韩亮的帮助下，刘菲暂时度过了难关。

灵界中转站

他是太平间的夜班守卫，有一天他被选中，帮助死去的人达成在地球上的未了心愿，有一天，他梦寐以求的女孩出现在那里...

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

情窦初开 Tag-init

暑假期间，马丁遇到了两个让他探索他的男子气概的女人——政客的宠妻阿黛尔和X活跃的马尼拉女孩纳丁

冯梦龙传奇

冯梦龙，苏州人，明代著名文学家、思想家、戏曲家，他的作品有近3000多万字，尤以《喻世明言》、《警世通言》、《醒世恒言》等著述创造了中国通俗文学的新高度。除了艺术方面的造诣，冯梦龙也以其在福建寿宁为官一任造福一方的事迹，为后世称颂。电影《冯梦龙传奇》便是首次将冯梦龙生平事迹搬上大银幕，讲述了冯梦龙从苏州至寿宁、由为文而从政的传奇经历，以其在寿宁的为官经历为主要表现内容，围绕抗倭寇、灭虎患、禁溺女婴、倡导文教等事迹，表现其爱民、务实、清廉的形象。值此中国共产党成立九十六周年之际，影片以冯梦龙丰硕的文化创造、高洁的人生操守、勤廉的为政理念、坚贞的爱国情操及务实爱民的政治作为向党的生日献礼。

没用的两个人

本作は、クロフネ×LINEマンガで連載中の里村による同名マンガをドラマ化したオフィスラブコメディ。過去に最悪の別れ方をした広告会社で働く同期の男女がライバルとして営業成績を競い合う中、あることをきっかけに2人の関係が変化していくさまが描かれる。

你和我的有效期间

《你和我的有效期》讲述了抹去自己辉煌的春天，迎接30岁的"贤洙"和"胜妍”，拿出的都是10年前的不熟练、充满青涩气息的日记。

杀手5：赦免

At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells Goddard that he has accidentally murdered his friend Blakey and buried him in the forest. When Goddard investigates the matter, he finds a buried scarecrow. Goddard is outraged, but, due to the...